For every great master painter of genres throughout history, such as the Oil Paint Abstract Painting, there are hundreds, perhaps thousands, of artists whose work will never see the outside of their home or studio, or the home of their family members. These artists are similar to the “American Idol” contestants who insist that they sing well, despite all evidence to the contrary. They make art not because they are any good at it, but since they love doing it.
There is nothing as contemporary and abstract as bad art. Bad art has occurred throughout history, however with the advent of contemporary art, modern art, and abstract art, which question popular and standard conceptions of beauty, bad art has flourished. The essence of all the modern art is eliminating convention, and this includes what we should consider good (or beautiful) art and bad art.
There’s actually a location on the planet where these problems aren’t just observed, but celebrated: The Museum of Bad Art (MOBA), in Dedham, Massachusetts, just outside of Boston. (Their second branch is at nearby Somerville.) MOBA includes a permanent collection of 500 items of, as their motto states, “art too bad to get ignored.” Their stated goal is, his or her founders assert, “to celebrate the labor of artists whose works would be displayed and appreciated in not one other forum.”
MOBA was founded in 1994, after antique dealer Scott Wilson found a painting, “Lucy in the Field with Flowers” (which became the museum’s signature piece), within the trash. He showed it to a few friends, who suggested he start a selection of similar bits of Modern Abstract Art Oil Painting. At first, the initial collection was shown in Wilson’s friends’ home, nevertheless it soon became so popular and enormous they had to go it to some more permanent place.
MOBA doesn’t just exhibit any bad art, so my attempts at portraiture (which can be really just stick figures) wouldn’t ensure it is to the museum. Works accepted into MOBA must be original and possess serious intent, but they should have significant but interesting flaws. The curators of MOBA refuse to show art that’s deliberately kitsch, or bad for bad’s sake. At any rate, MOBA is definitely the only museum on the planet dedicated to collecting and exhibiting the worst. Its collection is really a tribute towards the sincerity from the artists who preserved their works even if something went horribly wrong along the way. Put simply, MOBA celebrates an artist’s directly to fail, as well as fail gloriously.
The very existence of MOBA, some say, is a reaction to the arrival of Contemporary Art Abstract Paintings during the early 20th century, which made art more esoteric and much less accessible for the general public. To the majority of Americans, museums are intimidating places ruled by experts whose tastes are mysterious and impossible for many people to comprehend. MOBA is within direct vhhhlg for this trend. Its curators insist that they’re not parodying art; instead, they’re parodying the art world.
The reaction of many of the museum’s visitors is quite interesting. A few of the exhibits get them to laugh out loud, and in some ways, frees them as much as have opinions and discuss what they see. Teachers within the Boston area have got their students to MOBA, and after that to more prestigious museums like Boston’s Museum of Fine Arts. Their MOBA experiences free them from feeling intimidated as well as be a little more expressive about the art there.